LOCATION: Brooklyn, NY by way of Los Angeles; Tuskegee, AL; Pittsburgh,PA
TENURE: I’ve been really serious about this music for the past 15 years. I’ve made a run at being professional for the last seven.
PROJECTS: I’ve done two full length albums with my first serious group, Liberation. I’ve just completed my first solo project, Chronicles of a Rebel, that will be available in 08. I’ve also just received a great opportunity with an upcoming movie that feature some of my music on the soundtrack and will use the lead video from my upcoming album to promote the flick. Just pay attention and you’ll see it soon.
To speak truth, to heal, to uplift, to enlighten and to empower. I want to be a vessel that allows the universe to speak through me.
2. Being a lyricist can be a discouraging journey. Describe a moment, where you said it’s all worth it?
I have a few moments worthy of mention:
There are people from all walks of life that I’ve never met before who have come up to me and quoted lyrics from their favorite song I created. That can be flattering, overwhelming and humbling all at the same time. It lets me know they’ve taken my words (or the words I’ve been given) to heart.
Hearing your music playing in a passing car can also mess your head and make it all worth it. At a show when people are moved and really enthused about the music I’m inspired…my purpose is being fulfilled.
This next one takes the cake though. A while back, I had a sister that was in labor 20+ hours tell me that my music was the only thing that got her through. She said it was soothing, inspirational and motivating. I could only give thanks for that one. She said she gave birth to one of my songs about the power and possibility of children.
3. If you weren’t working in the arts, what would you do or be?
I probably couldn’t function properly. In this life I’m supposed to be creating and spreading messages through music and performance. But…when I boil it all down to the essence of me…I’m only using the music as a mechanism to get the attention and the imagination of the people. It’s creative, it’s fun and it’s really only an extension of those who had a similar purpose before me.
4. What is the Key to becoming a better lyricist?
I think it’s different for everyone. For me, I have to read, write often and be around other serious, talented lyricists. I also have to study those lyricists throughout history whom I admire and value. I also have to practice often. Aside from these things, I have to try to live a life and have experiences that are interesting enough to write about and intriguing and relative to other people’s experiences.
5. Where do you see yourself in the next decade?
In the next decade, I see myself obtaining an international platform, spreading the aforementioned messages and using that platform to develop global institutions of restoration for people of Afrikan descent around the world. I also, see myself fully operating my company, Liberation Music Group, a multimedia entity, and grooming other artists to create and perform as an extension of the black aesthetic legacy (ie. Harlem Renaissance, Black Arts Movement, Langston Hughes, Claude McKay, Amiri Baraka, The Last Poets, Public Enemy). I’m looking to initiate an international artist academy that will function to do that, while molding community-minded, social entrepreneurs. Oh yeah, I do want family as well. That’s critical to the whole movement.
Title: “Brooklyn”
Album: Chronicles of A Rebel
Artist: Chen Lo ft. Damaja D and Mo Betta Blues
Produced by: John Hill
Intro: They say it’s its own planet….Ladies and Gentlemen..Welcome to Brooklyn…Bedstuy Brooklyn New York….yeaaaaah….
Verse 1: Chen Lo
I take the A train home to BK/I’m a Brooklyn transplant by way of PA/Born in LA
Where they say it’s fantasy living, superficial and surface/New York City Urban Transit is under the surface where rats lurk/crooked a$$ cops can random search us/
This 9/11 sh!t has authorities claiming nervous/ the Stuy is no different it’s Pigs all on the corner/ A blatant occupation fam they trying to remove us/most black are still renting…Jews are all the owners/ these Koreans getting money…Arab and Latin Bodegas/ I’m here…breathing dirty air/garbage and sh!t is everywhere/it’s not for the weak or the timid…you get ya swagger here/ Where hussle’s the sport…”NEWPORT NEWPORT” Where Kane, B.I.G., Jay and BlackStar got a start/In the Summer see the elders playing chess in the park/ those who fell victim inspiring murals of art/ African and Caribbean cultures are mainstays/Everybody Flaggin’ 24-7 like “JUVE”/It’s Brooklyn…Better known as Crooklyn/Bedford and Fulton/ Halal food from the Muslims/Flatbush, Crown Heights, Brownsville, Bushwick/BK to most Medina to the Five-Percent/Signing off with your Brooklyn report/Small slice day in the life here in Brooklyn, New York…It’s called Brooklyn.
Verse 2: Damaja D
Yo It’s the reason why I fear less than average/the reason why every bar that I spit do damage/ the reason for the tilt in my hat, strength in my dap/ or why you might hear a little pain when I rap/it’s a fact/I was raised by the city…no offense mom/surrounded by grime and the gritty, you could see it when I ditty bop/at a young age got used to sound of gun shots/and now I see the hood for what it’s worth and what it birthed/ It’s the land of the free and the home of the brave/or should I say land of the lost and the home of slaves/could even say land of the G’s and homes are their graves/but never say land of the weak or the home of the fake/save face muh fu$&a…round here we move at a fast pace and age at a mass rate/sh!t I’m a hundred and eight/ but all jokes aside you could see in the my eyes…I ain’t lying for my home I’ll ride/ I’m from Brooklyn
Verse 3: Mo Betta Blues
The pistols is poppin the pumpers is clocking/the haters is watching/they waiting and plottin’/this ain’t Mr. Rogers neighborhood partner/they’ll stick Santa Clause for his stocking/that type of Beef don’t come with a topping/It’s Brooklyn/Get you a big shirt Yankee fitted, rocked them Air Force Ones way before Nelly did it/around here when you talk it then you better live it/It’s that 718, that 187 district/where cops is crooked as a seesaw/So squeeze first my hood definition of peace talk/the streets talk and the cells whisper/cross that bridge sh!t it even smell different/inhale the gritty and the grimey, been a lot of places but it’s really what’s inside me/tatted on my arm you know exactly where to find me/trust you couldn’t get a better picture from Spike Lee…it’s Brooklyn…yeah…it’s Brooklyn.
Verse:
I take a lot for granted like I’m far removed
From original slave spirituals and blues
Work songs gave escape clues on how the UR moved
We’d pen a hook that would carry us through
Imagine pickin cotton with now shoes used as property
Stripped of everything while someone else is profiting
Forced to believe in the same God they worship in
Taught to tolerate all of the rape and torterin’
The type of horror that oughta get reparations
Real crazy numbers for all of the pain and suffering
The root cause of a lot of the shit we’re up against
Visit any hood in America for the evidence
Work for centuries, no pay or benefits
Moved from plantations to projects and tenements
Still slavin’ now with not much to show for it
Leave the shit blank when they asking for your references.
Hook:
Caged in the lines of the page
Thought about how ain’t shit changed
No matter what they say
A lot of us take a dream to the grave
But we work like work like a slave
For real
It’s difficult to see it today
It looked a little different back in the day,
But it’s the same way
Think about the source of my last name
When we worked like a slave
Now money got a monopoly on mind soul and body
Your job is your religion, Your purpose becomes a hobby
Your faith is in that cash rules everything around me
I don’t matter if you corporate, middle class or grimey
I don’t lose it in the street the government’s gon rob me
We hustle anything we can sling to get money
A voice or a body, drugs in all varieties
Still bought and sold, trafficked as a commodity
My man D told me ain’t shit changed
Then he broke down the whole rap game
It’s a shame how a whole lot of artists getting chumped for changed
Traded in they steel shackles for a shinier chain
You can ask any rapper for his gov’t name
Hell yeah, he descended from slaves
Cuz he want to be paid, he gon say and do whatever they say
Even work like a slave
Hook
Its over 2 million of us locked down in a cage,
Trying to pass away the time without counting the days
At Angola inmates slave traditional ways
Other spots have’em booking you a flight for plane
Cuz the cheapest labor force is the American way
You don’t gotta pay a felon even minimum wage
Wanna see a case of modern day slavin away
You can check Rikers Island or Guantanimo Bay
Yeah prison’s big business is becoming the rule
It’s more money per inmate then for children in school
Drug wars waged against Black families and youth
The ones trapped in the system are the finest recruits
Chen is a dope artist. the World needs his type of music, so that everything can be alright and foster a feeling of hope. So many people may share his same sentiment, however he the voice. Hear the Brother Roar!
Whatever fame and fortune, well deserved as they may be, that may come his way, the important contribution of Chen is his work with young people. This is the hallmark of a great person/artist, a willingness to share hard-earned knowledge and talent.
Chen, thank God for you. You give so much to the youth their is no reason why you are not deserving of all the blessings God has to give. Continued success! Love Ya!
January 4th, 2008 at 4:36 pm
Chen is a dope artist. the World needs his type of music, so that everything can be alright and foster a feeling of hope. So many people may share his same sentiment, however he the voice. Hear the Brother Roar!
January 4th, 2008 at 5:07 pm
Ok, so un-mute.com is hot. What a lovely publication…Chen Lo is the next. He walks the walk that he talks. Great interview.
January 4th, 2008 at 9:58 pm
Whatever fame and fortune, well deserved as they may be, that may come his way, the important contribution of Chen is his work with young people. This is the hallmark of a great person/artist, a willingness to share hard-earned knowledge and talent.
January 30th, 2008 at 2:53 am
Chen, thank God for you. You give so much to the youth their is no reason why you are not deserving of all the blessings God has to give. Continued success! Love Ya!